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Povzetek:
Hiroshi Teshigahara's camera takes us over, under, around, and into buildings and a park designed by Antonio Gaudí (1852 - 1926), Catalan architect, ceramist, and sculptor. Teshigahara suggests the influence of Romanesque churches and monasteries on Gaudí and the influence of the caves and crags of Montserrat, close to Barcelona. Every line of Gaudí's seems curved, and no surface is without textures. With little narration, the film takes us through Casa Vicens, projects for the industrialist Güell (including the Crypt of the Colonia Güell and Park Güell), Casa Batlló, Casa Mila, and Barcelona's landmark, the unfinished Templo de La Sagrada Familia.
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Androcles and the Lion (1952)
komedija
Androcles is a Christian who follows that religion's teachings even as they apply to the treatment of animals. Seeing a lion in pain, he removes a huge thorn from the beast's paw, creating a friend...
Tanin no kao (1966)
drama, znanstveno-fantastični, grozljivka
Iako su nadrealni aspekti "Tuđeg lica", zbog implementiranja znanstveno-fantastičnih elemenata u temeljni zaplet filma, bili daleko razumljiviji nego kod prethodnih Teshigaharinih projekata, u...
Rikyu (1989)
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Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan's most powerful warlord, unifying the...
Gô-hime (1992)
drama, zgodovina
Chronicles the trials and tribulations of Oribe, the successor to tea-master Rikyu, Usu, his gardener, and Princess Goh, who attempt to balance artistic expression and duty amid political intrigue in...
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