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Povzetek:
Hiroshi Teshigahara's camera takes us over, under, around, and into buildings and a park designed by Antonio Gaudí (1852 - 1926), Catalan architect, ceramist, and sculptor. Teshigahara suggests the influence of Romanesque churches and monasteries on Gaudí and the influence of the caves and crags of Montserrat, close to Barcelona. Every line of Gaudí's seems curved, and no surface is without textures. With little narration, the film takes us through Casa Vicens, projects for the industrialist Güell (including the Crypt of the Colonia Güell and Park Güell), Casa Batlló, Casa Mila, and Barcelona's landmark, the unfinished Templo de La Sagrada Familia.
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Otoshiana (1962)
drama, kriminalka, domišljijski
A documentary fantasy. Penniless miners talk in passing about labor unions. A miner and his young son go to a village in Kyushu where the miner has been told he'll find work, but it's a ghost town...
Androcles and the Lion (1952)
komedija
Androcles is a Christian who follows that religion's teachings even as they apply to the treatment of animals. Seeing a lion in pain, he removes a huge thorn from the beast's paw, creating a friend...
Tanin no kao (1966)
drama, znanstveno-fantastični, grozljivka
Iako su nadrealni aspekti "Tuđeg lica", zbog implementiranja znanstveno-fantastičnih elemenata u temeljni zaplet filma, bili daleko razumljiviji nego kod prethodnih Teshigaharinih projekata, u...
Symbiopsychotaxiplasm: Take One (1968)
dokumentarni
Filmmaker William Greaves auditioned acting students for a fictional drama, while simultaneously shooting the behind-the-scenes drama taking place.
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