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Povzetek:
Hiroshi Teshigahara's camera takes us over, under, around, and into buildings and a park designed by Antonio Gaudí (1852 - 1926), Catalan architect, ceramist, and sculptor. Teshigahara suggests the influence of Romanesque churches and monasteries on Gaudí and the influence of the caves and crags of Montserrat, close to Barcelona. Every line of Gaudí's seems curved, and no surface is without textures. With little narration, the film takes us through Casa Vicens, projects for the industrialist Güell (including the Crypt of the Colonia Güell and Park Güell), Casa Batlló, Casa Mila, and Barcelona's landmark, the unfinished Templo de La Sagrada Familia.
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Tanin no kao (1966)
drama, znanstveno-fantastični, grozljivka
Iako su nadrealni aspekti "Tuđeg lica", zbog implementiranja znanstveno-fantastičnih elemenata u temeljni zaplet filma, bili daleko razumljiviji nego kod prethodnih Teshigaharinih projekata, u...
Rikyu (1989)
drama, zgodovina
Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan's most powerful warlord, unifying the...
Otoshiana (1962)
drama, kriminalka, domišljijski
A documentary fantasy. Penniless miners talk in passing about labor unions. A miner and his young son go to a village in Kyushu where the miner has been told he'll find work, but it's a ghost town...
Samâ sorujâ (1972)
drama
A Vietnam veteran deserts from the US Army while on leave in Japan.
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