Za sve opcije molim te da se prijaviš ili registriraš!
Povzetek:
Hiroshi Teshigahara's camera takes us over, under, around, and into buildings and a park designed by Antonio Gaudí (1852 - 1926), Catalan architect, ceramist, and sculptor. Teshigahara suggests the influence of Romanesque churches and monasteries on Gaudí and the influence of the caves and crags of Montserrat, close to Barcelona. Every line of Gaudí's seems curved, and no surface is without textures. With little narration, the film takes us through Casa Vicens, projects for the industrialist Güell (including the Crypt of the Colonia Güell and Park Güell), Casa Batlló, Casa Mila, and Barcelona's landmark, the unfinished Templo de La Sagrada Familia.
- Poglejte podobne vsebine
- Komentarji filma/serije
Androcles and the Lion (1952)
komedija
Androcles is a Christian who follows that religion's teachings even as they apply to the treatment of animals. Seeing a lion in pain, he removes a huge thorn from the beast's paw, creating a friend...
Tanin no kao (1966)
drama, znanstveno-fantastični, grozljivka
Iako su nadrealni aspekti "Tuđeg lica", zbog implementiranja znanstveno-fantastičnih elemenata u temeljni zaplet filma, bili daleko razumljiviji nego kod prethodnih Teshigaharinih projekata, u...
Ikebana (1957)
kratki film, dokumentarni
The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand...
Symbiopsychotaxiplasm: Take One (1968)
dokumentarni
Filmmaker William Greaves auditioned acting students for a fictional drama, while simultaneously shooting the behind-the-scenes drama taking place.
Za komentiranje morate biti prijavljeni!