Kokoro (1955)

At the end of Meiji era a young student befriend an older man who as a proof of trust but also as a kind of exorcism entrust him his secret, a story about jealousy, betrayal, shame and guilt.

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Gion bayashi (1953)
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In the post-war, the sixteen year-old teenager Eiko seeks out the geisha Miyoharu in the district of Gion, in Kyoto asking her to be a "maiko" (apprentice of geisha). Eiko explains that her mother...
Otôto (1960)
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Set in 1926 when Japanese tradition was much stronger, this standard drama looks at the inner workings of a small family, especially the relationship between a sister and brother.
Koibumi (1953)
drama, romantični
Explores the wounds of war, the limits of love and the need to forgive. A sad and troubled man, Reikichi Mayumi finds a new job five years after the end of WWII, where he writes love letters for...
Biruma no tategoto (1956)
drama, glasbeni, vojni
Mizushima is a soldier in the Japanese army in Burma in World War II. He's a good soldier and frequently plays his harp to entertain his fellow soldiers. When the war comes to an end, he is asked by...

Film

drama (1955)

Kokoro

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Gion bayashi (1953)

drama

In the post-war, the sixteen year-old teenager Eiko seeks out the geisha Miyoharu in the district of Gion, in Kyoto asking her to be a "maiko" (apprentice of geisha). Eiko explains that her mother...

Otôto (1960)

drama

Set in 1926 when Japanese tradition was much stronger, this standard drama looks at the inner workings of a small family, especially the relationship between a sister and brother.

Koibumi (1953)

drama, romantični

Explores the wounds of war, the limits of love and the need to forgive. A sad and troubled man, Reikichi Mayumi finds a new job five years after the end of WWII, where he writes love letters for...

Biruma no tategoto (1956)

drama, glasbeni, vojni

Mizushima is a soldier in the Japanese army in Burma in World War II. He's a good soldier and frequently plays his harp to entertain his fellow soldiers. When the war comes to an end, he is asked by...

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