La souriante Madame Beudet

Film

drama (1923)

La souriante Madame Beudet

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La souriante Madame Beudet

Naslov:

La souriante Madame Beudet

Leto:

1923

Zvrst:

drama

Trajanje:

54 min

Režija:

Germaine Dulac

Scenarij:

Denys Amiel
, Germaine Dulac
, André Obey


Glavne vloge:


Armand Thirard
  >  Le commis (as Thirard)
Alexandre Arquillière
  >  Monsieur Beudet
Jean d'Yd
  >  Monsieur Labas
Germaine Dermoz
  >  Madame Beudet
Madeleine Guitty
  >  Madame Labas
Raoul Paoli
  >  Le champion de tennis
Yvette Grisier
  >  La bonne

Povzetek:


One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in which he puts an empty revolver to his head and threatens to shoot himself. One day, while the husband is away, she puts bullets in the revolver. However, she is stricken with remorse and tries to retrieve the bullets the next morning. Her husband gets to the revolver first only this time he points the revolver at her.
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  • bojan969
    Administrator
    27.08.2015. 11:24
    The Smiling Madame Beudet (1923)
     "La souriante Madame Beudet" (originalni naslov)










    Žanr: Drama
    Trajanje: 54 min
    Država: France




    Režija: Germaine Dulac
    Scenarij: Denys Amiel, Germaine Dulac




    Uloge:

    Germaine Dermoz ... Madame Beudet
    Alexandre Arquilli?re ... Monsieur Beudet
    Jean d'Yd ... Monsieur Labas
    Yvette Grisier ... La bonne
    Madeleine Guitty ... Madame Labas




    [tube]1VA8NBhipvs[/tube]

    La Souriante Madame Beudet (sh. Nasmiješena gospođa Beudet) je francuski crno-bijeli nijemi film 
    snimljen 1923. u režiji Germaine Dulac. Predstavlja adaptaciju istoimene drame Denysa Amiela, 
    a naslovna protagonistica je žena u braku s dosadnim mužem koji stalno izvodi neslane šale 
    u kojima fingira samoubistvo s praznim revolverom. 
    Radnja prikazuje njen pokušaj da se iz braka izvuče tako što mu u revolver stavi prave metke. 
    Madame Beudet je predstavljao jedan od najpoznatijih filmova tzv. impresionističkog pravca 
    u francuskog međuratnoj kinematografiji, a često se navodi i kao prvi feministički film.
     



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