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Naslov:
Papa Greenwich VillageaLeto:
1984Zvrst:
drama, kriminalka, komedija, akcijaTrajanje:
121 minRežija:
Stuart RosenbergScenarij:
Vincent PatrickGlavne vloge:
Daryl Hannah > Diane
Eric Roberts > Paulie
Mickey Rourke > Charlie
M. Emmet Walsh > Burns
Val Avery > Nunzi
Philip Bosco > Paulie's Father
Tony DiBenedetto > Ronnie
Joe Grifasi > Jimmy the Cheese Man
Jack Kehoe > Bunky
Ronald Maccone > Nicky
Kenneth McMillan > Barney
Betty Miller > Nora
Tony Musante > Pete
Geraldine Page > Mrs. Ritter
Burt Young > Bed Bug Eddie
Povzetek:
Kriminalistička drama o dvojici američkih Talijana u New Yorku koji, nakon što ostanu bez posla, pljačkom pokušavaju osigurati novac za budućnost. Amerikanac talijanskog porijekla Charlie (Mickey Rourke) radi kao šef sale u jednom restoranu u njujorškoj talijanskoj četvrti. U istom restoranu radi i Paulie (Eric Roberts), Charliev rođak sklon varanju i nevoljama. Zbog Paulijevog potkradanja vlasnika, obojica će ostati bez posla. Šarlatanu Paulieu to ne predstavlja veliki problem, no Charlie planira budućnost s djevojkom Diane (Daryl Hannah) te mu besposličarenje nikako ne odgovara. Kako bi donekle popravio situaciju, Paulie predlaže rođaku da opljačkaju jedan sef i uvjerava ga kako će to biti lak posao. Charlie nakon dosta promišljanja pristaje pa uz pomoć iskusnog obijača sefova kreću na posao. Naizgled sve teče po planu, no usred pljačke pojavljuje se policajac koji u čitavoj zbrci gubi život. Charlie tjera Pauliea da mu kaže istinu pa ovaj nevoljko priznaje kako novac ustvari pripada lokalnom mafijašu Eddieu (Burt Young)"
Mickey Rourke and Eric Roberts play two Italian cousins, Charlie and Paulie, who run afoul of both the police and local mob boss Burt Young in their New York neighborhood when a safe-cracking scheme backfires. Charlie, much like Harvey Keitels character of the same name in Martin Scorseses Mean Streets, is a dapper hanger-on at the edge of gangsterdom, while Paulie, much like the Robert DeNiro character in the same film, is a moronic, womanizing loser for whom his inexplicably devoted cousin must account in the end. Thin at best, the plot comes second to the study of character; unfortunately, the characterization is uniformly two-dimensional. The filmmakers seem more interested in ethnic stereotypes than a story. Incidentally, Italians are identified by their gold chains, poor table manners and wild gesticulations, while Irishmen are characterized as cheap conniving boozers, and WASPs can be picked out by their taste for canned soup and soft white bread. The atmospheric soundtrack (including several appropriate tracks by Frank Sinatra is helpful but not enough to carry this fatally flawed film. . Jeremy Beday
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03.08.2015. 18:41